Available for film · TV · commercial · live
Erik Schultz STUNT PERFORMER & Coordinator
Precision bodies in chaos. I perform the impossible on camera and coordinate teams that make every beat land — safe, repeatable, cinematic.
- Focus
- High falls · fights · fire · vehicles
- Role
- Performer & on-set coordination
- Standard
- Safety-first · camera-ready
Action Reel
Curated highlights from features, series, and commercial work.
Private performance reel
Full reel available to producers, stunt coordinators, and casting upon request. Includes high falls, fight sequences, driving work, and coordinated set pieces.
Request reel accessCapabilities
Trained for impact. Built for the rhythm of a set.
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High Falls & Wire
Rappels, descenders, ratchets, and aerial work with clean sells and controlled landings.
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Hand-to-Hand & Weapons
Fight choreography that reads on lens — power, timing, and story in every exchange.
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Fire & Pyro Adjacent
Burns, ignitions, and heat work with disciplined prep and clear communication on set.
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Vehicles & Driving
Precision driving, wrecks, drags, and rig work — always within the safety envelope.
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Body Hits & Reactions
Takes that sell the beat: knocks, throws, ground fights, and environmental impacts.
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Stunt Coordination
Breakdowns, rehearsals, team leadership, and seamless collaboration with 1st AD & camera.
Selected Credits
Representative work across features, scripted television, commercials, and live events.
Full credits and references provided with booking inquiries.
Stunt Coordination
Great action isn't luck — it's planning. I coordinate sequences from pre-production through wrap: storyboards, rigging conversations, rehearsal schedules, and on-set execution that keeps the day moving.
- Sequence breakdown & previz support
- Cast doubling & performer casting
- Safety meetings & risk assessment
- Camera-friendly blocking & repeatability
"The best stunt is the one the audience feels in their chest — and the crew never had to hold their breath."
About Erik
I'm a stunt performer and coordinator obsessed with clarity on set: everyone knows the plan, everyone knows their lane, and the shot still looks reckless. Years in the trenches taught me that respect for safety and respect for the frame aren't opposites — they're the same discipline.
Whether I'm doubling talent, driving a gag, or running a team through a three-day action block, I show up prepared, direct, and ready to adapt when the location, weather, or script changes at lunch.
Stunt Industry Insights
Guides for producers, directors, and filmmakers hiring stunt teams.
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Production
How to Hire a Stunt Coordinator for Your Film
What to look for, when to bring them in, and how coordination saves your schedule.
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Safety
Stunt Safety Protocols Every Set Needs
Meetings, risk assessment, and the habits that keep action days on track.
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Technical
High Fall Stunts: Planning & Performance
Rigging, rehearsal, and what directors should know before calling action.
Let's rig the next sequence
Producers, coordinators, and directors — send your dates, scale, and reference. I'll respond fast.